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	<title>JG</title>
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	<pubDate>Tue, 17 Jun 2025 19:01:49 +0000</pubDate>
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		<title>Overview</title>
				
		<link>https://jerm.link/Overview</link>

		<pubDate>Mon, 30 Jan 2023 03:15:46 +0000</pubDate>

		<dc:creator>JG</dc:creator>

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Squash!Perspectives of a certain gourd.
&#60;img width="880" height="880" width_o="880" height_o="880" data-src="https://freight.cargo.site/t/original/i/e56b87047513f9d87343add980171aede7a39bceee75eed54e91609c1122f63d/Interior-1.jpg" data-mid="205982185" border="0"  src="https://freight.cargo.site/w/880/i/e56b87047513f9d87343add980171aede7a39bceee75eed54e91609c1122f63d/Interior-1.jpg" /&#62;






	
Forest In the Midst of a City

“One may be in the midst of a city, and yet feel as if they were in the forest, far away from the dust and din of civilisation...” -Okakura Kakuzo, the Book of Tea
&#60;img width="2880" height="1620" width_o="2880" height_o="1620" data-src="https://freight.cargo.site/t/original/i/1b74a88e1e4c9b950e94993032d86c0fd7ab1541a6e8fc508e813f9e7ffd3b0a/2---Landing1.png" data-mid="206287680" border="0"  src="https://freight.cargo.site/w/1000/i/1b74a88e1e4c9b950e94993032d86c0fd7ab1541a6e8fc508e813f9e7ffd3b0a/2---Landing1.png" /&#62;

	

Hawk River Water &#38;amp; Sanitation DistrictFleet Maintenance Center

A conceptual design report for a small public utility deep in the Rockies.&#60;img width="795" height="706" width_o="795" height_o="706" data-src="https://freight.cargo.site/t/original/i/7efb50b0fcdf00708c454cdee404e12b054d6d053dcc3173171732befc61b23a/Captura-de-pantalla-2025-06-17-124527.png" data-mid="234705860" border="0" data-scale="70" src="https://freight.cargo.site/w/795/i/7efb50b0fcdf00708c454cdee404e12b054d6d053dcc3173171732befc61b23a/Captura-de-pantalla-2025-06-17-124527.png" /&#62;



	


Landscape of Contemplation: Slaughterhouse Gulch Park

A short documentary exploring the design and maintenance failures of a small, strange urban park.
&#60;img width="3164" height="2059" width_o="3164" height_o="2059" data-src="https://freight.cargo.site/t/original/i/8db3ef3730a22eb2f1fe4ca156754bfd54e2a5e83ed647f21dee4295b192d107/SlaughterhousePark.jpg" data-mid="206547056" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/8db3ef3730a22eb2f1fe4ca156754bfd54e2a5e83ed647f21dee4295b192d107/SlaughterhousePark.jpg" /&#62;



JERM, GALLERYThe View from Behind the Camera
&#60;img width="3135" height="3819" width_o="3135" height_o="3819" data-src="https://freight.cargo.site/t/original/i/3670030ad9a913410de56dc149592bf3c6127e72383a6a657a1127b7f9ae42b5/image_2024-03-04_004445914.png" data-mid="206549719" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/3670030ad9a913410de56dc149592bf3c6127e72383a6a657a1127b7f9ae42b5/image_2024-03-04_004445914.png" /&#62;





	







Impression of a Mine“There is life in a stone. Any stone that sits in a field or lies on a beach takes on the memory of that place. You can feel that stones have witnessed so many things.”-Andy Goldsworthy




&#60;img width="1200" height="758" width_o="1200" height_o="758" data-src="https://freight.cargo.site/t/original/i/18a486ab7e3ef0b8a54a156f58dfc48c6215897e07f858ecc389751202957378/gif-v3-rect.gif" data-mid="206090167" border="0"  src="https://freight.cargo.site/w/1000/i/18a486ab7e3ef0b8a54a156f58dfc48c6215897e07f858ecc389751202957378/gif-v3-rect.gif" /&#62;





	






Pavement Abyss
Take a walk along the sidewalks and into the history of suburbia.

&#60;img width="1023" height="854" width_o="1023" height_o="854" data-src="https://freight.cargo.site/t/original/i/bbbdb5702068343a4429f450bb2d0d9878df65302b5bee86ac7ea2fa18cb7cb3/image_2024-03-04_160349655.png" data-mid="206035127" border="0" data-scale="91" src="https://freight.cargo.site/w/1000/i/bbbdb5702068343a4429f450bb2d0d9878df65302b5bee86ac7ea2fa18cb7cb3/image_2024-03-04_160349655.png" /&#62;






	
	




	
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		<title>Impression of a Mine</title>
				
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		<pubDate>Mon, 30 Jan 2023 03:15:43 +0000</pubDate>

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April-July
2021Impression of a Mine
Inst. Leila Tolderlund



“There is life in a stone. Any stone that sits in a field or lies on a beach takes on the memory of that place.You can feel that stones have witnessed so many things.”-Andy Goldsworthy



&#60;img width="1200" height="758" width_o="1200" height_o="758" data-src="https://freight.cargo.site/t/original/i/18a486ab7e3ef0b8a54a156f58dfc48c6215897e07f858ecc389751202957378/gif-v3-rect.gif" data-mid="206082326" border="0"  src="https://freight.cargo.site/w/1000/i/18a486ab7e3ef0b8a54a156f58dfc48c6215897e07f858ecc389751202957378/gif-v3-rect.gif" /&#62;

	The Impression
From above, facing NNE

	This project reached installation on April 15, 2021.

But its story begins around 105 million years ago, off the coast of the Cretaceous Sea, which once split North America from the Artic to the Gulf of Mexico.








&#60;img width="5149" height="2896" width_o="5149" height_o="2896" data-src="https://freight.cargo.site/t/original/i/760867e0349b0fa2c2e40d0e41ea882bf4b466ef05defe358b8e276028ca5ec6/Central-NA-Map-Wide.jpg" data-mid="166580320" border="0"  src="https://freight.cargo.site/w/1000/i/760867e0349b0fa2c2e40d0e41ea882bf4b466ef05defe358b8e276028ca5ec6/Central-NA-Map-Wide.jpg" /&#62;
&#60;img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/733b4dfe2a02b7c0f45c09bb8282c4df2db4dd68ff4e75282a2733b3de668a88/image_2023-01-29_220704249.png" data-mid="166581315" border="0"  src="https://freight.cargo.site/w/1000/i/733b4dfe2a02b7c0f45c09bb8282c4df2db4dd68ff4e75282a2733b3de668a88/image_2023-01-29_220704249.png" /&#62;


	
Currents deposit sediment as layers of shale, clay, and sandstone - the Dakota Formation.

The foothills of the uplifting Rocky Mountains are beaches.
Great lizards step through wet sand, leaving impressions which last.
	

Front: Eolambia Tracks at Dinosaur Ridge; Wikimedia Commons

Behind: North America Geographical Map; USGS




 The ground uplifts. Seas change to rivers. People come along!
For millenia, many indigenous groups live along the front range of the Rockies.
Among them are the Arapaho (Hinono'eino), Southern Cheyenne (Tséstho’e), and Lakota (Thítȟuŋwaŋ).

&#60;img width="1512" height="851" width_o="1512" height_o="851" data-src="https://freight.cargo.site/t/original/i/6349dce8ff908900b8bdfd27fcfe53ebc4842de4bd3e7df451bd3eae384b28f4/Hogback.jpg" data-mid="166584933" border="0"  src="https://freight.cargo.site/w/1000/i/6349dce8ff908900b8bdfd27fcfe53ebc4842de4bd3e7df451bd3eae384b28f4/Hogback.jpg" /&#62;
&#60;img width="960" height="671" width_o="960" height_o="671" data-src="https://freight.cargo.site/t/original/i/e0be800b04c3322d420397f3de2e6f525171ad50202f861dc74a1a3cbfbcaec1/image_2023-01-29_230047545.png" data-mid="166584886" border="0"  src="https://freight.cargo.site/w/960/i/e0be800b04c3322d420397f3de2e6f525171ad50202f861dc74a1a3cbfbcaec1/image_2023-01-29_230047545.png" /&#62;



Behind: 

Dakota Hogback at El Dorado Canyon;

 The Mountain Project
Front: Arapaho Camp c. 1870; National Humanities Center


	&#60;img width="730" height="400" width_o="730" height_o="400" data-src="https://freight.cargo.site/t/original/i/db8185a488dfbf948cfbd6fbac68cffa310733e0d6b6c40fb51dcb582fa727cc/silica-rail-line.jpg" data-mid="166719724" border="0" data-scale="100" src="https://freight.cargo.site/w/730/i/db8185a488dfbf948cfbd6fbac68cffa310733e0d6b6c40fb51dcb582fa727cc/silica-rail-line.jpg" /&#62;&#60;img width="1500" height="889" width_o="1500" height_o="889" data-src="https://freight.cargo.site/t/original/i/cfdfa616cd8d2696adc06dd1ab4f1079e38a2e4c81de6f1bf6c5173d0a128c6f/image_2023-01-30_225655249.png" data-mid="166720164" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/cfdfa616cd8d2696adc06dd1ab4f1079e38a2e4c81de6f1bf6c5173d0a128c6f/image_2023-01-30_225655249.png" /&#62;
	&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/f812bf70020aa3bc37167740925f042dbf2a52c17a7b2042bc63c895910cdf9b/image_2024-03-04_022523345.png" data-mid="205965891" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/f812bf70020aa3bc37167740925f042dbf2a52c17a7b2042bc63c895910cdf9b/image_2024-03-04_022523345.png" /&#62;



	Above-Left: 

A train departs Silica for Denver;&#38;nbsp;Douglas County Archives


Below-Left: 

Clay mining trenches and pits;&#38;nbsp;Golden Today
Right: Stamped Silica Brick; Roxborough Area Historical Society
	New people arrive, with incentive to extract.
Ancient seabed can be mined, crushed, and mixed.
South of expanding Denver, the Silicated Brick Company is incorporated, producing bright-white masonry.


Demand dries up, and the business takes a turn.
One afternoon, the kiln goes cold and is never relit.
The last engine on the branch line is the one that unmakes it.

	&#60;img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/4aa6dbd2a2e242ba0e36fbddf9d554a6587b1de496160cdd286790bb558accc0/image_2023-02-10_225820364.png" data-mid="168019080" border="0"  src="https://freight.cargo.site/w/683/i/4aa6dbd2a2e242ba0e36fbddf9d554a6587b1de496160cdd286790bb558accc0/image_2023-02-10_225820364.png" /&#62;
	&#60;img width="1201" height="858" width_o="1201" height_o="858" data-src="https://freight.cargo.site/t/original/i/31faf040fe2e7d57b12845757ac6734095f8101499e670a5770df6e5bfa76e01/image_2023-02-10_224310157.png" data-mid="168018815" border="0"  src="https://freight.cargo.site/w/1000/i/31faf040fe2e7d57b12845757ac6734095f8101499e670a5770df6e5bfa76e01/image_2023-02-10_224310157.png" /&#62;&#60;img width="1092" height="779" width_o="1092" height_o="779" data-src="https://freight.cargo.site/t/original/i/7cb1c07b42f0d1e5e371f168779dc58b88d5180614d3a25f01c97631c532575a/Screenshot-2023-02-10-224436.png" data-mid="168018927" border="0"  src="https://freight.cargo.site/w/1000/i/7cb1c07b42f0d1e5e371f168779dc58b88d5180614d3a25f01c97631c532575a/Screenshot-2023-02-10-224436.png" /&#62;
Left: Ruins of the Silica brick kiln; Martin Witt
Above-Right: Colorado &#38;amp; Southern Engine #69; John W. Maxwell

Below-Right: View along former Silica line, SE at Highline Canal Trailhead; Google Maps

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a443beb0e8d891f146b7963cb86e921231978439e1a4637a3c5a98d33ee18825/12-1955.png" data-mid="166843556" border="0" data-draggable alt="December 1955" data-caption="December 1955" src="https://freight.cargo.site/w/1000/i/a443beb0e8d891f146b7963cb86e921231978439e1a4637a3c5a98d33ee18825/12-1955.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0167468aa752db80c9395fd15d15b3f593eecbb08177b4a84ac8bae02533c369/10-1999.png" data-mid="166843634" border="0" data-draggable alt="October 1999" data-caption="October 1999" src="https://freight.cargo.site/w/1000/i/0167468aa752db80c9395fd15d15b3f593eecbb08177b4a84ac8bae02533c369/10-1999.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b5d915b806dc442660fc13a2a41014622ad451f18f168a8b4fb5b48a79592306/04-2006.png" data-mid="166843638" border="0" data-draggable alt="April 2006" data-caption="April 2006" src="https://freight.cargo.site/w/1000/i/b5d915b806dc442660fc13a2a41014622ad451f18f168a8b4fb5b48a79592306/04-2006.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1b5c8c7c8d0469e7cf1a4b4d247412fe8ce2e906b8f06b6407d5a89e7dcf64b9/06-2010.png" data-mid="166843721" border="0" data-draggable alt="June 2010" data-caption="June 2010" src="https://freight.cargo.site/w/1000/i/1b5c8c7c8d0469e7cf1a4b4d247412fe8ce2e906b8f06b6407d5a89e7dcf64b9/06-2010.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b42276e43883af2141e1613559f6136b36c487d3cd778e1c9ccd3969471f94e1/02-2016.png" data-mid="166843754" border="0" alt="February 2016" data-caption="February 2016" src="https://freight.cargo.site/w/1000/i/b42276e43883af2141e1613559f6136b36c487d3cd778e1c9ccd3969471f94e1/02-2016.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/055365b0c029af591eb585011a6be156b91e73e3cb07a0b6bbf4ea8801b76554/05-2018.png" data-mid="166843757" border="0" alt="May 2018" data-caption="May 2018" src="https://freight.cargo.site/w/1000/i/055365b0c029af591eb585011a6be156b91e73e3cb07a0b6bbf4ea8801b76554/05-2018.png" /&#62;


The Dakota Ridge Hogback through Time; Imagery from Douglas County, USGS, Maxar, NASA via 
Google Earth



Across generations, and in all seasons, the hill wears its scars.
Mine shafts are imperfect, distinct, dangerous memorials to the origins of a community.
Until, one day, they are no more.


For decades, the mines are left opened, eventually blocked off only by rusted barbed wire.
In July 2017, a middle schooler falls 115 feet down a shaft - and survives.
Some time between then and May 2018, the mines are unceremoniously graded over.


	&#60;img width="1200" height="675" width_o="1200" height_o="675" data-src="https://freight.cargo.site/t/original/i/5400ff0a8f25947fa93796eb6dbdbfbe241e85783f1d02b66eb942c2bb77a8fe/image_2023-02-12_135750720.png" data-mid="168134635" border="0"  src="https://freight.cargo.site/w/1000/i/5400ff0a8f25947fa93796eb6dbdbfbe241e85783f1d02b66eb942c2bb77a8fe/image_2023-02-12_135750720.png" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/6bbc77f59ca47a1cb6e99f2ade519e1e3927625f4e07c146593d392256d04aff/IMG_7322.JPG" data-mid="168141806" border="0"  src="https://freight.cargo.site/w/1000/i/6bbc77f59ca47a1cb6e99f2ade519e1e3927625f4e07c146593d392256d04aff/IMG_7322.JPG" /&#62;
	
&#60;img width="925" height="936" width_o="925" height_o="936" data-src="https://freight.cargo.site/t/original/i/46a29dd852aebb27f46daeb623b371795bc1cffb7a0ac2438bd2c212c35be1f8/June-2017.jpg" data-mid="168141469" border="0"  src="https://freight.cargo.site/w/925/i/46a29dd852aebb27f46daeb623b371795bc1cffb7a0ac2438bd2c212c35be1f8/June-2017.jpg" /&#62;
&#60;img width="925" height="936" width_o="925" height_o="936" data-src="https://freight.cargo.site/t/original/i/409a73b2e0a707943049e045f76b9f9d3d7525914b7cc625bb30506ee5a8d652/May-2018.jpg" data-mid="168141472" border="0" data-scale="98" src="https://freight.cargo.site/w/925/i/409a73b2e0a707943049e045f76b9f9d3d7525914b7cc625bb30506ee5a8d652/May-2018.jpg" /&#62;




Above-Left: West Metro FD pulls the 13-year old from a mine shaft; KKTV
Below-Left: The hogback mines graded flat

Right: The mines in June 2017 and May 2018; Google Maps



This installation was an attempt to create an impression of the now-gone mine shafts;
 An attempt to use simple geometry to acknowledge and channel the memory of the stones;
An attempt to feel once again the scale of a huge hole cut into the ground; 
An attempt to impose another form upon the imposable earth, but with more intentional impermanence than the original mines.


&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/60fe0f9d18425cb8753cf2b0a53b825be17459a34e8206df0d333748b5ab571d/UPLOAD041521-T-416m.png" data-mid="206431415" border="0"  src="https://freight.cargo.site/w/1000/i/60fe0f9d18425cb8753cf2b0a53b825be17459a34e8206df0d333748b5ab571d/UPLOAD041521-T-416m.png" /&#62;
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&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/f35dfe4f16234b638932b9ba873a581d300535cb344270da0e73e7c04b4de19b/UPLOAD050221-T-106m.png" data-mid="206431436" border="0"  src="https://freight.cargo.site/w/1000/i/f35dfe4f16234b638932b9ba873a581d300535cb344270da0e73e7c04b4de19b/UPLOAD050221-T-106m.png" /&#62;
&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/73943a59a5db5ea37a682b9679febd4dca2d011abac006a0a7e98c66329375ca/UPLOAD051221-T-149m.png" data-mid="206431441" border="0"  src="https://freight.cargo.site/w/1000/i/73943a59a5db5ea37a682b9679febd4dca2d011abac006a0a7e98c66329375ca/UPLOAD051221-T-149m.png" /&#62;
&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/b00a7650196f4f9bd82e0abd642faf24fcd6c4de8272ff0b03436e61e82929f7/UPLOAD051921-T-156m.png" data-mid="206431447" border="0"  src="https://freight.cargo.site/w/1000/i/b00a7650196f4f9bd82e0abd642faf24fcd6c4de8272ff0b03436e61e82929f7/UPLOAD051921-T-156m.png" /&#62;
&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/11ef56def6080949b27e2165d8beb56e52a21e42bcd1cc86b4b6ab9cdd5d70d2/UPLOAD052121-T-212m.png" data-mid="206431451" border="0"  src="https://freight.cargo.site/w/1000/i/11ef56def6080949b27e2165d8beb56e52a21e42bcd1cc86b4b6ab9cdd5d70d2/UPLOAD052121-T-212m.png" /&#62;
&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/15adfd9550ff60f1f5d0e8f3cab7bd164e934b00a6d25066aa94e51869e7e804/UPLOAD052421-T-144m.png" data-mid="206431452" border="0"  src="https://freight.cargo.site/w/1000/i/15adfd9550ff60f1f5d0e8f3cab7bd164e934b00a6d25066aa94e51869e7e804/UPLOAD052421-T-144m.png" /&#62;
&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/d63119027e503f6275fad8bbed834296c85449f9842e84935f889c44e1bc9fc3/UPLOAD052521-T-111m.png" data-mid="206431454" border="0"  src="https://freight.cargo.site/w/1000/i/d63119027e503f6275fad8bbed834296c85449f9842e84935f889c44e1bc9fc3/UPLOAD052521-T-111m.png" /&#62;
&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/96034a69f2fc632847f5530d9ef04eff002be3eefe68a58fc4a788c5dc5df0fb/UPLOAD052721-T-078m.png" data-mid="206431458" border="0"  src="https://freight.cargo.site/w/1000/i/96034a69f2fc632847f5530d9ef04eff002be3eefe68a58fc4a788c5dc5df0fb/UPLOAD052721-T-078m.png" /&#62;
&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/f3086d3b57db193f7e073ec22497a8325ecd8205bd1166920332aae13f10fb95/UPLOAD060221-T-101m.png" data-mid="206431463" border="0"  src="https://freight.cargo.site/w/1000/i/f3086d3b57db193f7e073ec22497a8325ecd8205bd1166920332aae13f10fb95/UPLOAD060221-T-101m.png" /&#62;
&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/54fadbf0ae65f73424e63b3ddb221e225da59b82bcd953925923fe2e0def6f7c/UPLOAD060921-T-668m.png" data-mid="206431473" border="0"  src="https://freight.cargo.site/w/1000/i/54fadbf0ae65f73424e63b3ddb221e225da59b82bcd953925923fe2e0def6f7c/UPLOAD060921-T-668m.png" /&#62;

These photos were taken over almost exactly two months, as Colorado’s spring breathed its final cold sighs and gave way to summer. 5 weeks in, a new addition appeared, placed right in the center of the impression. Whatever the intention or interpretation of my anonymous co-creator, it gave me great joy to see.


Installation Video
</description>
		
	</item>
		
		
	<item>
		<title>Squash!</title>
				
		<link>https://jerm.link/Squash</link>

		<pubDate>Mon, 04 Mar 2024 11:48:22 +0000</pubDate>

		<dc:creator>JG</dc:creator>

		<guid isPermaLink="true">https://jerm.link/Squash</guid>

		<description>


Jan-Feb
2020Squash!
Inst. Brian 
DaleA sum: disparate aspects.Components of form arranged such that they assemblea shape, shadow, division.A whole, deconstructed.Base sensations of texture, tone, temperature.


Explorations at all Scales

&#60;img width="621" height="497" width_o="621" height_o="497" data-src="https://freight.cargo.site/t/original/i/8076ded2db12607c54a0b9bb072015f1c7b7c49d3353a09d11584a8b7a927c68/image_2024-03-04_133951009.png" data-mid="205982616" border="0" data-scale="100" src="https://freight.cargo.site/w/621/i/8076ded2db12607c54a0b9bb072015f1c7b7c49d3353a09d11584a8b7a927c68/image_2024-03-04_133951009.png" /&#62;

Acorn Squash (Cucurbita Pepo var. Turbinata). 1lb 5oz (600g). Purchased Jan 19, 2020



	Set 1: Floral, Difuse
	Set 2: Geometric, Continuous
	Set 3: Shadowed, Boundaried


&#60;img width="1240" height="1240" width_o="1240" height_o="1240" data-src="https://freight.cargo.site/t/original/i/bdbce8ef3336e0f093eb8ce8535f66a633bf0ea070f32d5de0c0498f32a83455/Sketch-Flower.jpg" data-mid="205981460" border="0"  src="https://freight.cargo.site/w/1000/i/bdbce8ef3336e0f093eb8ce8535f66a633bf0ea070f32d5de0c0498f32a83455/Sketch-Flower.jpg" /&#62;
&#60;img width="1240" height="1240" width_o="1240" height_o="1240" data-src="https://freight.cargo.site/t/original/i/72c2b4b74ba5953342c0ed6440a9b13a1993af9a09f36744058ab670dce7b0e4/Sketch-Borders.jpg" data-mid="205981456" border="0"  src="https://freight.cargo.site/w/1000/i/72c2b4b74ba5953342c0ed6440a9b13a1993af9a09f36744058ab670dce7b0e4/Sketch-Borders.jpg" /&#62;
&#60;img width="1240" height="1240" width_o="1240" height_o="1240" data-src="https://freight.cargo.site/t/original/i/92fd00ce11d08649208351190ed69c9b87e7082add1c1da4bf826786627b432c/Sketch-Shadow.jpg" data-mid="205981464" border="0"  src="https://freight.cargo.site/w/1000/i/92fd00ce11d08649208351190ed69c9b87e7082add1c1da4bf826786627b432c/Sketch-Shadow.jpg" /&#62;
&#60;img width="1240" height="1240" width_o="1240" height_o="1240" data-src="https://freight.cargo.site/t/original/i/20774a33fcb76ab1b35a2aebd28861c177ee921faf8063c09df0853acc4c584d/Sketch-Drips.jpg" data-mid="205981459" border="0"  src="https://freight.cargo.site/w/1000/i/20774a33fcb76ab1b35a2aebd28861c177ee921faf8063c09df0853acc4c584d/Sketch-Drips.jpg" /&#62;
&#60;img width="1240" height="1240" width_o="1240" height_o="1240" data-src="https://freight.cargo.site/t/original/i/9420003d324311e9b98cf9afd926643d55f5946985d2ac21b26e439285723452/Sketch-Slope.jpg" data-mid="205981465" border="0"  src="https://freight.cargo.site/w/1000/i/9420003d324311e9b98cf9afd926643d55f5946985d2ac21b26e439285723452/Sketch-Slope.jpg" /&#62;
&#60;img width="1240" height="1240" width_o="1240" height_o="1240" data-src="https://freight.cargo.site/t/original/i/56a5b924c0983e149f9f552a1c618adb88d69dd28eb9591c536693bc3caf8d24/Sketch-Reflection.jpg" data-mid="205981463" border="0"  src="https://freight.cargo.site/w/1000/i/56a5b924c0983e149f9f552a1c618adb88d69dd28eb9591c536693bc3caf8d24/Sketch-Reflection.jpg" /&#62;
&#60;img width="1240" height="1240" width_o="1240" height_o="1240" data-src="https://freight.cargo.site/t/original/i/abf0a054db16057426f30ce8f4648dffa6482e31ce97ee37cb553b261a1a1d46/Sketch-Dots.jpg" data-mid="205981458" border="0"  src="https://freight.cargo.site/w/1000/i/abf0a054db16057426f30ce8f4648dffa6482e31ce97ee37cb553b261a1a1d46/Sketch-Dots.jpg" /&#62;
&#60;img width="1240" height="1240" width_o="1240" height_o="1240" data-src="https://freight.cargo.site/t/original/i/6820dab462bbddba7fde06a28a630cd7c40304a368d68b7c1a1cf16b973a64dc/Sketch-Divisions.jpg" data-mid="205981457" border="0"  src="https://freight.cargo.site/w/1000/i/6820dab462bbddba7fde06a28a630cd7c40304a368d68b7c1a1cf16b973a64dc/Sketch-Divisions.jpg" /&#62;
&#60;img width="1240" height="1240" width_o="1240" height_o="1240" data-src="https://freight.cargo.site/t/original/i/fb9c33189ce9633b7b38c25cfa0af26180ac487ee8bee1cedfe7e317c30f6fa7/Sketch-Overhang.jpg" data-mid="205981461" border="0"  src="https://freight.cargo.site/w/1000/i/fb9c33189ce9633b7b38c25cfa0af26180ac487ee8bee1cedfe7e317c30f6fa7/Sketch-Overhang.jpg" /&#62;


	Pencil and charcoal on mid-weight paper
	First, looking at a whole acorn squash through its aspects in origin, form, and projection. The squash was positioned in all different perspectives and angles of light, to look for the forms within the larger form. Patterns emerged quickly, and were sketched in real time.



Literal Deconstruction
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/c9101e979f7ac3d109b1fdebc528f5666d62142d619890fdcbbdaa87d070f25c/Process-1.jpg" data-mid="206363801" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/c9101e979f7ac3d109b1fdebc528f5666d62142d619890fdcbbdaa87d070f25c/Process-1.jpg" /&#62;
The squash had to be cut open. This was done with great intention, creating a unique “stage” within the gourd while minimizing cuts and maintaining its integrity in a variety of environments.




The first through-cut is a horizontal viewport. Second is a vertical shaft, into which fits a quartz stone. One more, smaller, horizontal hole is cut just above the level of the viewport. &#38;nbsp;

	
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/0c670ff94fce9f5adfc1691f2fc8f7a39d43a798c1d0c63b0d7ebc3ca41c1fb3/Process-2.jpg" data-mid="206363802" border="0"  src="https://freight.cargo.site/w/1000/i/0c670ff94fce9f5adfc1691f2fc8f7a39d43a798c1d0c63b0d7ebc3ca41c1fb3/Process-2.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/eee7b44b4608ceabe3186297e77e7816ddea5b02b499d1a3d1ec316b997556f7/Process-4.jpg" data-mid="206363804" border="0"  src="https://freight.cargo.site/w/1000/i/eee7b44b4608ceabe3186297e77e7816ddea5b02b499d1a3d1ec316b997556f7/Process-4.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/a7f13bfcecf7a9bc350711816ee20683d8763c722b857828b08f8628c32b7381/Process-3.jpg" data-mid="206363803" border="0"  src="https://freight.cargo.site/w/1000/i/a7f13bfcecf7a9bc350711816ee20683d8763c722b857828b08f8628c32b7381/Process-3.jpg" /&#62;








&#60;img width="1220" height="1220" width_o="1220" height_o="1220" data-src="https://freight.cargo.site/t/original/i/7fc7d7bb655d05ae0298f9e4ed307b145fd9bd4e84d4dd07aab5889dfd4a6924/section-2.jpg" data-mid="206364195" border="0"  src="https://freight.cargo.site/w/1000/i/7fc7d7bb655d05ae0298f9e4ed307b145fd9bd4e84d4dd07aab5889dfd4a6924/section-2.jpg" /&#62;
&#60;img width="1220" height="1220" width_o="1220" height_o="1220" data-src="https://freight.cargo.site/t/original/i/3973fcbd71ac9b2c38d32a3757955f7156855a0082c2711ad3d9897fb4d24239/section-1.jpg" data-mid="206364196" border="0"  src="https://freight.cargo.site/w/1000/i/3973fcbd71ac9b2c38d32a3757955f7156855a0082c2711ad3d9897fb4d24239/section-1.jpg" /&#62;

These section sketches show the simple, but highly unique volumes that arise from these simple cuts. 
Now come the fun bit.



Changing Conditions
A photographic exploration of the cut squash with aquatic interventions in three states of matter.
Solid (Ice), Liquid (Water), Gas (Bubbles)

	
	
&#60;img width="880" height="880" width_o="880" height_o="880" data-src="https://freight.cargo.site/t/original/i/e56b87047513f9d87343add980171aede7a39bceee75eed54e91609c1122f63d/Interior-1.jpg" data-mid="205981824" border="0"  src="https://freight.cargo.site/w/880/i/e56b87047513f9d87343add980171aede7a39bceee75eed54e91609c1122f63d/Interior-1.jpg" /&#62;
&#60;img width="879" height="879" width_o="879" height_o="879" data-src="https://freight.cargo.site/t/original/i/e90e7d78616d16f56df9af66b51fb2da74aab0683525060f90ccfe80f510d79e/Interior-4.jpg" data-mid="205981827" border="0"  src="https://freight.cargo.site/w/879/i/e90e7d78616d16f56df9af66b51fb2da74aab0683525060f90ccfe80f510d79e/Interior-4.jpg" /&#62;
&#60;img width="880" height="880" width_o="880" height_o="880" data-src="https://freight.cargo.site/t/original/i/3b59b58d26113558ca0f57c18ef5367d6b91c70e21c62159531901316252e570/Interior-3.jpg" data-mid="205981826" border="0"  src="https://freight.cargo.site/w/880/i/3b59b58d26113558ca0f57c18ef5367d6b91c70e21c62159531901316252e570/Interior-3.jpg" /&#62;
&#60;img width="880" height="880" width_o="880" height_o="880" data-src="https://freight.cargo.site/t/original/i/dce9f4af8aa7f24eab815c3f23363391b43c5781be2384bbfed1baa46a98f59c/Interior-5.jpg" data-mid="205981828" border="0"  src="https://freight.cargo.site/w/880/i/dce9f4af8aa7f24eab815c3f23363391b43c5781be2384bbfed1baa46a98f59c/Interior-5.jpg" /&#62;
&#60;img width="880" height="880" width_o="880" height_o="880" data-src="https://freight.cargo.site/t/original/i/f5497af9452033035e2fe6a503ce936d7d13d345682f8fdc0b50a286398aff3f/Interior-2.jpg" data-mid="205981825" border="0"  src="https://freight.cargo.site/w/880/i/f5497af9452033035e2fe6a503ce936d7d13d345682f8fdc0b50a286398aff3f/Interior-2.jpg" /&#62;
&#60;img width="879" height="879" width_o="879" height_o="879" data-src="https://freight.cargo.site/t/original/i/5cf6985e6bc9bc55b9bd64a6204277280b1babf4bcb685b6b102c46ed7445780/Interior-6.jpg" data-mid="205981829" border="0"  src="https://freight.cargo.site/w/879/i/5cf6985e6bc9bc55b9bd64a6204277280b1babf4bcb685b6b102c46ed7445780/Interior-6.jpg" /&#62;

	

	</description>
		
	</item>
		
		
	<item>
		<title>Slaughterhouse Gulch Park</title>
				
		<link>https://jerm.link/Slaughterhouse-Gulch-Park</link>

		<pubDate>Tue, 12 Mar 2024 00:08:00 +0000</pubDate>

		<dc:creator>JG</dc:creator>

		<guid isPermaLink="true">https://jerm.link/Slaughterhouse-Gulch-Park</guid>

		<description>March 2021Slaughterhouse Gulch Park
Inst. Leila Tolderlund
In the heart of downtown Littleton sits a park which is not very good at being a park.
The following is a short documentary exploring this park as a “Landscape of Contemplation”.



&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Hawk River WSD</title>
				
		<link>https://jerm.link/Hawk-River-WSD</link>

		<pubDate>Tue, 17 Jun 2025 19:01:49 +0000</pubDate>

		<dc:creator>JG</dc:creator>

		<guid isPermaLink="true">https://jerm.link/Hawk-River-WSD</guid>

		<description>

Oct. 2022-March 2023Hawk River Water &#38;amp; Sanitation District Fleet Maintenance Center
D2C Architects



Over the winter of 2022-2023, I spearheaded the project of a new vehicle maintenance building for a public utility in the high rocky mountains. Alongside a project manager, I guided this project from the very first client interviews all the way to the delivery of a conceptual design package.  To preserve privacy and non-disclosure,all locations, organizations (excluding my then-design firm) and people have been anonymized, changed, or ommitted from this report.



    Full Conceptual Report






Project Highlight: Research Deep-Dive Leads to Realignment (Twice)The primary point of complexity in this project arose from the cramped site conditions. To the west is the existing water treatment plant, and to the east are protected wetlands. The nature of the project’s design, involving planning for the turning radii of vehicles 40 feet or longer, required an actual and accurate understanding of these conditions.
&#60;img width="884" height="760" width_o="884" height_o="760" data-src="https://freight.cargo.site/t/original/i/733bce6c87d3ed257f99ea68bb23f892a99ba03b7d1b83776a44a5d9c4f07f68/Captura-de-pantalla-2025-06-17-124000.png" data-mid="234705929" border="0"  src="https://freight.cargo.site/w/884/i/733bce6c87d3ed257f99ea68bb23f892a99ba03b7d1b83776a44a5d9c4f07f68/Captura-de-pantalla-2025-06-17-124000.png" /&#62;
&#60;img width="1071" height="803" width_o="1071" height_o="803" data-src="https://freight.cargo.site/t/original/i/48172f24ce624411a79e98813f7da027e38e8251ce814e0192700a73fcbf06bc/Captura-de-pantalla-2025-06-17-111711.png" data-mid="234705930" border="0"  src="https://freight.cargo.site/w/1000/i/48172f24ce624411a79e98813f7da027e38e8251ce814e0192700a73fcbf06bc/Captura-de-pantalla-2025-06-17-111711.png" /&#62;
The first point of contention came from the wetlands. This is a small but flourishing riparian area, and its protection is critical. The US Army Corps of Engineers would say there should be at least 15 feet between their borders and any construction, including grading and paving. Meanwhile, parts of the Hawk County Land Use Regulations refer to a setback of up to 75 feet between all wetland and river areas. This latter constraint would have effectively halved the usable area of the site.It was my thorough research that found this potential difficulty, and I presented my findings and proposed solutions to the Board of County Commissioners in a closed meeting. After a drawn-out process of examination and interpretation of the relevant code and zoning, a very fair compromise was reached: As suggested by the original biologist/surveyor who staked the wetlands in 2009, a setback of 25 feet would be respected from all areas of the wetlands, with special effort paid to maintaining that distance.
&#60;img width="1066" height="813" width_o="1066" height_o="813" data-src="https://freight.cargo.site/t/original/i/efc6711816cc9c96ab48831b61cab46fa03f8f4d10d087c0a57193429361635a/Captura-de-pantalla-2025-06-17-115544.png" data-mid="234705931" border="0"  src="https://freight.cargo.site/w/1000/i/efc6711816cc9c96ab48831b61cab46fa03f8f4d10d087c0a57193429361635a/Captura-de-pantalla-2025-06-17-115544.png" /&#62;
The second issue was a more fundamental one. Our design team, as well as the engineering consultants, were working with site materials provided by the district, including surveys and a map from an incomplete design effort about 10 years prior. However, while we were well into diagramming circulation and early programming, I began to integrate modern imagery, and something was...off.Two weeks before a planned all-stakeholders design charrette meeting, I figured out exactly what it was:

	
&#60;img width="500" height="480" width_o="500" height_o="480" data-src="https://freight.cargo.site/t/original/i/5168cb2d7cd09db05a7aa053eb247559139949d6ee6e9bf3737bd36346ddd88f/Captura-de-pantalla-2025-06-17-115846.png" data-mid="234705932" border="0" data-scale="95" src="https://freight.cargo.site/w/500/i/5168cb2d7cd09db05a7aa053eb247559139949d6ee6e9bf3737bd36346ddd88f/Captura-de-pantalla-2025-06-17-115846.png" /&#62;
&#60;img width="856" height="824" width_o="856" height_o="824" data-src="https://freight.cargo.site/t/original/i/55319f11d83a24ae82226a556ee6f2b0154e09666d0afd8c326d015a7bce92a8/Captura-de-pantalla-2025-06-17-115824.png" data-mid="234705933" border="0"  src="https://freight.cargo.site/w/856/i/55319f11d83a24ae82226a556ee6f2b0154e09666d0afd8c326d015a7bce92a8/Captura-de-pantalla-2025-06-17-115824.png" /&#62;

	&#60;img width="1063" height="813" width_o="1063" height_o="813" data-src="https://freight.cargo.site/t/original/i/6f9aff3243bf64e090d217c158e4f1ee7c2d812554d8e43f1f9e4e0512cb198e/Captura-de-pantalla-2025-06-17-120256.png" data-mid="234705937" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/6f9aff3243bf64e090d217c158e4f1ee7c2d812554d8e43f1f9e4e0512cb198e/Captura-de-pantalla-2025-06-17-120256.png" /&#62;
In 2017, the district finished a long-planned and delayed expansion to the northeastern end of the treatment plant. This included expanding the plant’s footprint as well as new signficant landscaping and paving which cut significantly into our project’s site. The only issue? These changes originated in a different parcel and so never registered in the history of ours, and the client’s assurance of the up-to-dateness of their provided survey was simply taken as a given. This assumption should not have been made.My discovery provoked essentially a complete reset of the site layout - a painful realization, but a necessary and ultimately cost-saving one.</description>
		
	</item>
		
		
	<item>
		<title>Who</title>
				
		<link>https://jerm.link/Who</link>

		<pubDate>Mon, 30 Jan 2023 03:15:47 +0000</pubDate>

		<dc:creator>JG</dc:creator>

		<guid isPermaLink="true">https://jerm.link/Who</guid>

		<description>Who is Jerm?I am Jeremy Goldman; designer, teacher, and photographer. Raised in Colorado, I have lived for the past two years in Spain, where I teach English. During this time, I’ve continued to practice my passions independently and pursue design opportunities as they arise.
 

I hold a degree in architecture, which followed two years of mechanical engineering school and a project-based STEM secondary education. These have been complemented by internships and coursework across historic preservation, landscape and interior architecture, urban planning, and universal design. 
My areas of study are anchored and ultimately driven by a profound spiritual connection. A deep sense of interbeing informs&#38;nbsp;a creative philosophy centered on inference and gestalt, holistic wellness, and environmental and social justice.&#38;nbsp;These two realms of mind and spirit are channeled, by iterative and daily practice, into a passionate, organized designer. Every day I am testing, discovering, and redefining my path within the world.

This website is a place to catalog, organize, and display my personal, professional, and academic work - and is itself a work in progress. I can also be found on any of the following places:




︎ &#124;&#38;nbsp;︎ &#124;&#38;nbsp;︎ &#124;♘


</description>
		
	</item>
		
		
	<item>
		<title>CV</title>
				
		<link>https://jerm.link/CV</link>

		<pubDate>Fri, 05 Apr 2024 21:53:25 +0000</pubDate>

		<dc:creator>JG</dc:creator>

		<guid isPermaLink="true">https://jerm.link/CV</guid>

		<description>Education



Bachelor of Science in Architecture – University of
Colorado Denver

Fall 2019-Spring 2022



Graduated from
CU Denver’s College of Architecture and Planning undergraduate program. Before and during the COVID-19 pandemic, participated in rigorous design studios, while focusing other core courses on landscape architecture and
interior design. As an individual and within highly diverse groups, produced work for critical review by academic and practicing professionals. Designed and fabricated the college’s first human-scale
semi-permanent studio installation.



Through fundamental coursework, acquired a broad knowledge
of contemporary construction practices and building sciences. Took a variety of technical elective classes, on topics from Revit to geometric numeroloy to parametric design. 

CAP Dean’s List –
Spring 2021.

Certified in 
Data Science for Construction,
Architecture and Engineering

 – National University of Singapore

December 2024



Completed course in the methodology and application of Big Data techniques as applied to AECO industry. Learned techniques for finding, filtering, processing, and applying massive amounts of data, especially those collected from IoT and building monitoring systems.&#38;nbsp;

Mechanical Engineering Studies – SUNY Stony Brook
Fall 2017-Spring 2019Spent two years in the Mechanical Engineering Program in New York. Completed fundamental coursework including engineering statics/dynamics, linear algebra and vector-valued calculus, machining and electronics, and classical mechanical and electromagnetic physics. Elective studies included physical astronomy, film history, and music theory.

As president of Greeley Hall, I represented the interests of students living in my dorm building within the university-wide Residential Student Government. Internally, I coordinated the executive board to plan, organize, and requisition funding for events within the hall and across the quad.
&#38;nbsp;
As a member of Pocket Theatre Club and Mr. Feffer’s Improv Troupe, I performed rehearsed and improvised theater across campus and hosted social events.



Teaching English as a Foreign Language Certificate – TEFL.org
October 2023-February 2024Completed 140-hour course in TEFL and TESOL (Teaching English to Speakers of Other Languages). Course included&#38;nbsp;50-hr TEFL, 30-hr Grammar &#38;amp; Language Awareness,20-hr Video &#38;amp; Observation, 20-hr TEFL, 10-hr
Teaching Large Classes, and 10-hr Telephone Teaching Courses.


Work Experience



Language Assistant&#38;nbsp;– Spanish Secondary Schools

October 2023-May 2025 &#124; Toledo y Huelva, Spain
I worked as an Auxiliar de Conversacion in the bilingual programs at schools across spain. In Toledo, I worked in the Formación Profesional (Vocational Training) programs of three schools: IES El Greco, IES Azarquiel, and IES Universidad Laboral. The variety in campuses is complemented by a variety in classroom subjects: Microbiology, computer science, and marketing tourism, to name a few. In Huelva, I taught subjects ranging from world history to physical education.
In each class, my role is twofold. During the first half of class, I support teachers in the course of their lessons as a native speaker, in an environment that is otherwise all second-language English learners. I provide context for common and technical phrases and help with pronunciation and meaning. I act as a bridge, applying my skills in both English education and my always-growing abilities in the Spanish language to connect students to their content.


During the second hour, I lead the classroom with my own lessons. These lessons focus on many topics, all centered on English language and the culture of the English-speaking world, with the goal of getting the students to use the language as much as possible. We listen to music, watch clips from movies and television, and read news articles in skills-based lessons to practice comprehension and teach targeted language. Individually and in groups, I engage them in both controlled practice and free production activities and games to facilitate the students’ comfortable and spontaneous use of new forms and vocabulary.

Architectural Designer&#38;nbsp;– D2C Architects

October 2022-August 2023 &#124; Denver, Colorado, US
As a designer at D2C, I played a key role the pre-construction design process, and was deeply involved in every aspect, from conducting user interviews and site visits to delivering the final documents. My collaboration with job captains and project managers spanned a variety of projects, each with its unique demands and challenges.

My daily tasks were diverse, ranging from correcting redlines and specifying equipment to conducting research and developing site analyses. This variety kept me on my toes and ensured that every day brought something new. I simultaneously managed up to 6 projects, each at different scales and stages of delivery. This required careful planning and discussion with my coworkers to effectively manage time, resources, and information.

A significant part of my role involved coordinating between the internal design team, engineering consultants, and clients. I frequently prepared and presented content to stakeholders, ensuring everyone was on the same page.

In Revit (v. 2019-2023), I developed drawing sets tailored to the needs of various projects. My work focused exclusively on public projects, including Emergency Services response and training centers, vehicle fleet maintenance facilities, recreation and event centers, and even multi-family housing. I was lucky enough to work on these projects alongside architects who focused strongly on design-as-health. All this gave me a broad perspective on the unique demands and challenges of a variety of projects.

Student Assistant – CU Denver CLAS Dean’s OfficeJuly 2019 2022-August 2022 &#124; Denver, Colorado, USAs a Student Assistant in the College of Liberal Arts and Sciences Dean’s Office, I served two distinct roles.
In my first role, I was a general service resource for the students in the college. I assisted them with their queries and served as a campus resource, providing guidance and support to help them navigate their academic journey. In the course of this work, I worked individually with not only students but their families in resolving issues, finding information, and guiding them through the bureaucracy of the University system. I accomplished this well, and was, in the words of one parent, “...incredibly kind, patient, sympathetic, and most importantly helpful.”
In my second role, I served as an administrative assistant to the staff, faculty, and Deans of the college. I helped with general office work and contributed to longer-term projects, ensuring the smooth operation of the office. Day-to-day operations included management of the college’s inbox and general administrative tasks as required by the deans and support staff of the office. Longer term projects included recruitment efforts, document archival and digitalization, and even helping to plan the Denver Metro Science &#38;amp; Engineering Fair.
In response to the shift from in-person work to online-only due to COVID, I took the initiative to develop a number of Dean’s Office procedures. As part of a team, I created an office-wide email and video call help desk service, which was available to students, staff, and faculty alike.&#38;nbsp; Following the success of the help desk service, we collaborated with the college’s IT staff to create the CLAS IT Help Desk. This involved receiving, sending, and tracking the progress of technology-related issues. My role also involved documenting processes and trends, and using these insights to develop a framework for a future independent Help Desk. I later took this auditing approach and applied it back to the front-desk resource role, creating a system to track and analyze queries by time, date, and type. This analysis ultimately led to a more efficient scheduling system for the front desk.




Easement Inspection Intern&#38;nbsp;– Historic Denver

June 2022-August 2022 &#124; Denver, Colorado, US
As an Easement Inspection Intern at Historic Denver, Inc., I planned and conducted visual façade inspections of over 70 buildings around Denver, each with a Historic Denver easement. My role involved training and coordinating a team of volunteers to assist in these inspections, ensuring a smooth and efficient process.

Before each inspection, I communicated with building owners and property managers, setting expectations and addressing any concerns. After each inspection, I compiled detailed reports, providing valuable insights into the condition of each building.

My approach to inspections was both detailed and holistic. I took thorough notes and detailed photographs, and reviewed previous inspection reports to gain a comprehensive understanding of each building’s condition. I considered both near- and long-term strategies for building maintenance, ensuring a sustainable approach to preserving Denver’s historic buildings.



















</description>
		
	</item>
		
		
	<item>
		<title>Fourth-Wall</title>
				
		<link>https://jerm.link/Fourth-Wall-1</link>

		<pubDate>Fri, 31 Jan 2025 17:51:40 +0000</pubDate>

		<dc:creator>JG</dc:creator>

		<guid isPermaLink="true">https://jerm.link/Fourth-Wall-1</guid>

		<description>

Sep-Dec 2021


The Fourth Wall
Inst. 

Ekaterini Vlahos



The Fourth Wall creates a space where performing artists of both a digital and analog leaning can reach their maximum creativity, through the expansion of the art district. The site’s location on the industrial outskirts of the district contains significant potential for the incubation and expression of 

performance arts.


&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/28498935f0f6682d14934105b8c7901305a649d18ce8dbe7d59b9e7ba3deb58b/Final-Board-Pic.jpg" data-mid="225843316" border="0"  src="https://freight.cargo.site/w/1000/i/28498935f0f6682d14934105b8c7901305a649d18ce8dbe7d59b9e7ba3deb58b/Final-Board-Pic.jpg" /&#62;
&#60;img width="2288" height="1436" width_o="2288" height_o="1436" data-src="https://freight.cargo.site/t/original/i/aaf84c9aebf8352ce718ca9a04af936e1b5f4555b4d6a16a04051be41af5d913/Model-Pic-3.jpg" data-mid="225843319" border="0"  src="https://freight.cargo.site/w/1000/i/aaf84c9aebf8352ce718ca9a04af936e1b5f4555b4d6a16a04051be41af5d913/Model-Pic-3.jpg" /&#62;
&#60;img width="2534" height="1684" width_o="2534" height_o="1684" data-src="https://freight.cargo.site/t/original/i/e2f7a8d5bd16c8428a8e466f594b484ef3de70bd909ca908b60b5a8cd51c2bcf/Model-Pic-1.jpg" data-mid="225843317" border="0"  src="https://freight.cargo.site/w/1000/i/e2f7a8d5bd16c8428a8e466f594b484ef3de70bd909ca908b60b5a8cd51c2bcf/Model-Pic-1.jpg" /&#62;
&#60;img width="2473" height="1652" width_o="2473" height_o="1652" data-src="https://freight.cargo.site/t/original/i/fc4bddfcc75356078cb47d221b121414859987a78dcd94d6ae611af54f636cce/Model-Pic-4.jpg" data-mid="225843320" border="0"  src="https://freight.cargo.site/w/1000/i/fc4bddfcc75356078cb47d221b121414859987a78dcd94d6ae611af54f636cce/Model-Pic-4.jpg" /&#62;



This project was developed in a group setting over the course of a full semester. The program called for the creation of a live-work space for a set of “makers” - our group decided upon digital and analog performing artists. The site is an 18,000 ft² lot in the River North (RiNo) Arts District of Denver’s historic Five Points neighborhood.Work was distributed evenly among the members of the group, with each given opportunity to contribute with their individual strengths. For me this was primarily the historical research, conceptual space development, digital modelling, and presentation drawings of the project.

Collaborators: Broby L, Malaak M, Steffen M, Justus T &#38;lt;3


ARTISTS WELCOME

&#60;img width="3794" height="2552" width_o="3794" height_o="2552" data-src="https://freight.cargo.site/t/original/i/faf4ed216041e4e0df7e5ea7d40bf24be0a7e1e49861558618488a2e91620818/Final-Render-1.png" data-mid="225843737" border="0"  src="https://freight.cargo.site/w/1000/i/faf4ed216041e4e0df7e5ea7d40bf24be0a7e1e49861558618488a2e91620818/Final-Render-1.png" /&#62;
&#60;img width="3817" height="3840" width_o="3817" height_o="3840" data-src="https://freight.cargo.site/t/original/i/4788d5fadbca4cf699200727e75bf960dd14d3dbefe275a6f785f902a12bf2ef/Final-Render-7-extra.png" data-mid="225843745" border="0"  src="https://freight.cargo.site/w/1000/i/4788d5fadbca4cf699200727e75bf960dd14d3dbefe275a6f785f902a12bf2ef/Final-Render-7-extra.png" /&#62;
&#60;img width="3889" height="2228" width_o="3889" height_o="2228" data-src="https://freight.cargo.site/t/original/i/9a5244c79c17a8b48160a35e306bf0e724c848fef7ece1d89bbd322fa2b57f6a/Final-Render-6.png" data-mid="225843742" border="0"  src="https://freight.cargo.site/w/1000/i/9a5244c79c17a8b48160a35e306bf0e724c848fef7ece1d89bbd322fa2b57f6a/Final-Render-6.png" /&#62;
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&#60;img width="3883" height="1795" width_o="3883" height_o="1795" data-src="https://freight.cargo.site/t/original/i/9b986b5258a268ee1bfcc072c3f4f16ceac451e3307f7f780e3b7033aaa7681c/Final-Render-2.png" data-mid="225843738" border="0"  src="https://freight.cargo.site/w/1000/i/9b986b5258a268ee1bfcc072c3f4f16ceac451e3307f7f780e3b7033aaa7681c/Final-Render-2.png" /&#62;

	
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	&#60;img width="6655" height="8400" width_o="6655" height_o="8400" data-src="https://freight.cargo.site/t/original/i/68488a95caaa521af75f32101cf3dac99f3d96f7d1b8273ed3c270e846aefc76/Final_Page_03.png" data-mid="225946911" border="0"  src="https://freight.cargo.site/w/1000/i/68488a95caaa521af75f32101cf3dac99f3d96f7d1b8273ed3c270e846aefc76/Final_Page_03.png" /&#62;&#60;img width="7398" height="9324" width_o="7398" height_o="9324" data-src="https://freight.cargo.site/t/original/i/13da53404e0e9e2418cd76e8ae634550ecdbc5fee6982fafd7870f0f7ecb1222/Final_Page_04.png" data-mid="225946912" border="0"  src="https://freight.cargo.site/w/1000/i/13da53404e0e9e2418cd76e8ae634550ecdbc5fee6982fafd7870f0f7ecb1222/Final_Page_04.png" /&#62;

Though highly simplifying, it is useful in telling the story of this project to break the work into three categories: Context, Concept, and Content.
	Context involves all the basic understandings of program, client, and especially site which are necessary to make strong design decisions.&#38;nbsp;
	Concept includes the design goals of the project in terms of experiential and practical elements, and how they are united thematically and aesthetically.
	Content is the ultimate result of the project, including the drawings and renderings you’ve just seen, as well as the iterative versions which led to the final design.

</description>
		
	</item>
		
		
	<item>
		<title>Fourth-Wall-2</title>
				
		<link>https://jerm.link/Fourth-Wall-2</link>

		<pubDate>Mon, 03 Feb 2025 17:49:34 +0000</pubDate>

		<dc:creator>JG</dc:creator>

		<guid isPermaLink="true">https://jerm.link/Fourth-Wall-2</guid>

		<description>On Site and Through Time
	&#60;img width="1326" height="711" width_o="1326" height_o="711" data-src="https://freight.cargo.site/t/original/i/f2fb5c5df0f8cc2f2d40df25dfc63eb1a56afbcf718d00698e5933e4d4832d65/imagen_2025-02-03_212340556.png" data-mid="225951799" border="0"  src="https://freight.cargo.site/w/1000/i/f2fb5c5df0f8cc2f2d40df25dfc63eb1a56afbcf718d00698e5933e4d4832d65/imagen_2025-02-03_212340556.png" /&#62;
	&#60;img width="752" height="312" width_o="752" height_o="312" data-src="https://freight.cargo.site/t/original/i/f50790734fdc2ef3e45d52f68e1d9ac165ac3dc1a1d7c0c8e630279a20673931/imagen_2025-02-03_212503091.png" data-mid="225951816" border="0"  src="https://freight.cargo.site/w/752/i/f50790734fdc2ef3e45d52f68e1d9ac165ac3dc1a1d7c0c8e630279a20673931/imagen_2025-02-03_212503091.png" /&#62;Industrial, Mixed-Use Zoning:
·Max. Built: 70’ / 5 stories·Min. Build-To: 70% (0’ / 15’)
·Min. Setback: 10’ for res., 25’ for stories above 27’, 40’ above 51’
· Min. 50% transparency on primary street
·Dwellings must be oriented toward street
and include pedestrian entrance






Contextual assessment began with a series of site visits and analyses. The plot is one of extremes; sitting on the industrial edge of the River North Arts District at the chaotic intersection of 38th &#38;amp; Arkins.&#38;nbsp;The urban noise contrasts with the relative serenity of the nearby Platte riverfront path. A Pepsi Co. bottling plant across the street from the site dominates visually, while poorly maintained sidewalks create a hostile pedestrian environment.




&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/9ff39bf8600ae8cde05ac335d41e6373dcc8363831db617bdb3ef07fc973396e/IMG_8085.jpg" data-mid="225946451" border="0"  src="https://freight.cargo.site/w/1000/i/9ff39bf8600ae8cde05ac335d41e6373dcc8363831db617bdb3ef07fc973396e/IMG_8085.jpg" /&#62;
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I conducted in-depth quantatative and qualatative analyses of the area. My research focused on the history of the site in the greater context of Denver.What is now the bottling plant was once the site of a steel smelter - and the tallest smokestack in the world, which stood from 1892 until 1947.</description>
		
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	<item>
		<title>Abyss-Intro</title>
				
		<link>https://jerm.link/Abyss-Intro</link>

		<pubDate>Wed, 06 Mar 2024 11:58:48 +0000</pubDate>

		<dc:creator>JG</dc:creator>

		<guid isPermaLink="true">https://jerm.link/Abyss-Intro</guid>

		<description>PAVEMENT ABYSSDuring the summer of 2022, I was the Easement Inspection Intern for Denver’s most significant historic preservation group. Over the course of 3 months, I led a small team of volunteers to investigate and record the condition of over 70 buildings in and around the city.

 This was a deeply enjoyable and rewarding position. Nearly all of my time inspecting was done alone and outdoors with just a camera and clipboard. The following piece developed towards the end of my internship, and out of two primary experiential sources:1. The great contrast between the conditions and designs of pre-WWII “Streetcar Suburbs” where I inspected homes and the post-war gridded “Suburbia” where I lived.
2. Spending just a little bit too much time walking in the summer sun along poorly maintained sidewalks.</description>
		
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